Lizzie Lloyd is a Bristol-based writer, lecturer, and researcher. She has contributed to Art Monthly, artnet, Art Review, Journal of Contemporary Painting among other art magazines and journals. Her writing has been commissioned by artists such as Katie Paterson, Ben Owen, Hannah Murgatroyd, and Tim Knowles and been commissioned by Hestercombe Gallery, UH Gallery, Foreground,
Plymouth College of Art, KARST, and Exeter Phoenix among others.
She teaches at University of the West of England (Fine Art /Art and Writing),
Bath Spa University (Historical and Contextual Studies – Art and Design) and University of Bristol (History of Art).
She facilitates specialist art writing workshops – designed for practitioners, industry professionals and students – previously at Hauser and Wirth Somerset, Cultivator Cornwall, Plymouth Art Centre and Index The Swedish Contemporary Art Foundation.
Her doctoral thesis 'Art Writing and Subjectivity: Critical Association in Art Historical Practice'
was completed in 2019 at University of Bristol.
Plymouth College of Art, KARST, and Exeter Phoenix among others.
She teaches at University of the West of England (Fine Art /Art and Writing),
Bath Spa University (Historical and Contextual Studies – Art and Design) and University of Bristol (History of Art).
She facilitates specialist art writing workshops – designed for practitioners, industry professionals and students – previously at Hauser and Wirth Somerset, Cultivator Cornwall, Plymouth Art Centre and Index The Swedish Contemporary Art Foundation.
Her doctoral thesis 'Art Writing and Subjectivity: Critical Association in Art Historical Practice'
was completed in 2019 at University of Bristol.
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